“I’m suggesting you take a different approach, Cedar.”

Nyssa rules the roost here. Yes, she is the biggest, but size doesn’t seem to matter very much to Dash, nor to Cedar. Both of them love her to bits and bask in her attention when she gives it to them. She instructed Dash to play the way she wanted him to from day one, even though he is fifty pounds lighter than her. He happily complied and they play beautifully together to this day.

Cedar, on the other hand, is a cheeky, fresh young lad. Nyssa is thrilled she finally has an Aussie that loves her and plays with her (my previous boy, Tristan, tolerated her presence) but she is always suggesting he take a different approach.

Sometimes Cedar takes that advice, sometimes he doesn’t. But they still end up playing and happy nonetheless.

The key takeaway from this exchange is the suggesting.

As editors, we are asked to look at someone else’s work with the idea of helping them improve it. In that light, our feedback takes the form of suggestions.

We don’t have the final say over what is left in, how it is phrased, or even punctuated sometimes.

Which is OK and we have to BE OK with that.

Suggestions leave room for acceptance, further thought, or rejection. (This may not apply as much to copyediting, which does adhere often to style guides and other rules for the finer elements of writing.)

The point is that our outside view to the work gives us the ability to see other layers that could be explored or a different direction to approach an issue from. To encourage more thought on the matter that could benefit the reader down the line.

Suggestions don’t demand a certain outcome. It’s not in their nature.

Even when Nyssa is “suggesting” to Cedar not to do as he is, he still has the option to continue and most times he does. Then when he does accept her offer of an alternate way, they end up playing together far longer than if he’d ignored her suggestion.

We want to feel that our efforts have been worthwhile over the course of a developmental or line edit—it’s a lot of work! And often that is only judged by how many edits are accepted. Does that mean we have failed?

No. In the end, the final decision is not ours. Authors can be attached to a particular phraseology that sets an editor’s teeth on edge, it’s their prerogative. It’s their creation. And all of us writer-editors will certainly reserve that right in our own stead!

It can be very difficult to separate the emotion of the hard work from the feeling of not being heeded. Good communication between the editor and author can ease this disparity, as can remembering that we are using our expertise to suggest.

Editors still have all of those accepted suggestions that were acknowledged and appreciated to fall back on. The old saying is that you can’t please one hundred percent of the people one hundred percent of the time. Authors know this too, or they will find it out in reviews for certain. It’s not all or nothing.

At the end of an editing project, I remind myself that these are my suggestions for where I can see some extra thought or reworking is needed. Through my comments and our converstaions, the author can choose to do with those ideas as they will. The more important part is reaching the goal of the editor-author partnership—publishing the best work possible.

Which probably means we may play together again. Like Nyssa and Cedar.

She isn’t daunted when he carries on, because she knows she has done her work in communicating her suggestions. It’s then up to him to take them or not. She advises, he asserts and they meet in the middle to carry on and live together well (thankfully for me). It makes their relationship stronger, and it can with authors and editors, too.

By keeping our minds open, our discussions thought-provoking and considerate, and our common goal in mind, we can measure success in more than ‘accepted vs. rejected.’ It seems to work well for dogs, why shouldn’t we consider it? If it means I can eat, sleep, and play, I’m in. So make your suggestions, try not to be daunted by rejected ones, and keep playing!

Have a great week! Woof woof roooooo! 🐕‍🦺

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Fantasy Authors! Have you heard about ProWritingAid’s upcoming Fantasy Week? No?

Do you love writing fantasy? 

Our friends at ProWritingAid have you covered!

ProWritingAid’s first ever Fantasy Writer’s Week will be jam-packed with free events for fantasy authors.

With live sessions from bestselling fantasy writers TJ Klune, Angela J. Ford, David Farland and Stephanie BwaBwa, a world-building workshop, and a complete World Anvil software walkthrough, you don’t want to miss this event!

Register for this free event here: https://prowritingaid.com/art/1571/fantasy-writer-s-week-at-prowritingaid.aspx?afid=8897

*Please note this is an afffiliate link, so I may receive some compensation if you click through here 😉.

Interested in more information about Red Leaf Word Services editing? Please visit my website www.redleafwords.com. It has undergone some reorganization, come on by and check it out!

There is a new service—The First 100 Pages edit. It’s great for getting an idea of how your story works from the beginning so you can continue with a blueprint in mind, or for giving self-editing a start. Even for trying out a new level of editing. You can find more information about it on the For Fiction Authors page at Red Leaf Word Services.

While you are there, you can sign up for the newsletter, where you can get more of Nyssa. ‘Cause she always has more to say, she’s an Akita! Or you can sign up below 👇🏼 and still get the same editing news, offers, and tips.

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