Hello everyone! All the wishes to your health and sanity as we continue to cope with pandemic issues—stay strong! Can you believe we are about to enter June? We have had a taste of summer where I live, the sticky humid part of summer, after a looooonnnnng, very cool spring. It’s been quite a shock to the system, like Elahna going from insulated boots to summer sandals in one day. A hint of times to come, for sure.

So, when we last spoke, Elahna was just digesting the fact that there are dragons in this land. Raga, Poet, and Fife had a bit of a chuckle at her expense and she learned you do not have a dragon, ever. Dragons impart knowledge, but you should have a consarned good reason for speaking with one. Let’s continue on to Cragbend with the troupe, shall we?

---

The homesteads on the nearer approach to Cragbend got a little smaller, but no less affluent.

Vegetables grew in meticulous gardens and conical hay stacks populated shorn fields.

My nervousness returned as we entered the rustic town, but was forgotten in the activity of making camp in the field beside the Cleft Barrel. I was assigned to the horse lines with a young musician named Tenor. He pounded stakes for pickets while I secured the horses and doled out the feed.

By the time we finished, a fire roared in a central, stacked stone pit. Children’s laughter gamboled through the air as they peeled vegetables for stew and hurled the scraps at each other or the chickens.

Troupe members scurried around like ants, each with their own tasks to attend to in the familiar dance of pitching camp. The hulking shapes of the wagons formed an arc on the right side, nearer the road, like protective sphinxes crouched on their haunches. Tenor explained how, in towns where there wasn’t a Seat or large pub to perform in, they could fasten the wagons together by a series of collapsible panels to form a large stage.

Several times I caught myself studying the exquisite workmanship of the conveyances. Each wagon had a domed, retractable bonnet dyed mostly in shades of blue with other colors dancing through the swirls of ocean and sky. Ornate carvings of bluebirds perching on branches, clinging to rushes, and singing streams of notes adorned the sidewalls and rear panels. The skillful use of fire had fashioned the bas relief murals, which were painted to life in greens, browns, gold, and myriad blues. The heavy wooden wheels and fluted running gear paired seamlessly. Thick metal pins secured the junctures, but also meant the wheels could be taken off with ease for repairs or stage construction. They were rolling works of marvelous, versatile art.

“Not only are they beautiful, but they are multi-functional? And I’ve never seen so many shades of blue.”

Tenor’s shy smile acknowledged the compliment before he spoke.

“They are all made here. In the morning, you’ll see a few men wandering around checking them over. They get maintained every time we are in Cragbend. Many of the other troupes get their coaches here too.” Tenor’s voice was rich and easy to listen to, I wondered why he played the lap harp instead of singing.

“How many other troupes are there?”

“Five others, each bearing a different color. Hence the predominance of blue with us, like Fife’s donjar torc.”

“Where is your home town? How long have you been on tour?”

“We are always home.” He waved at the wagons. “Our life is on tour. We may stay in one place for a bit if there is a festival, or bad weather, but only until a weather-worker restores the skies.”

I let out a deep breath, rolling my eyes to myself. Drinking was certainly in order tonight.

Of course, being from New England, the idea of a weather-worker was just too good to be true. People could control the weather? I’d have to see that to believe it, for sure. I had now lost count of all the crazy things that were commonplace here.

The Cleft Barrel was a large, two-story pub at the forkroad in the center of Cragbend. The first floor was large and comfortable for eating and social activity; the second floor held lodgings, judging by the many doors I glimpsed. This night, the center of the main floor had been cleared for the Bluebirds’ performance. The townsfolk filled tables and benches against the walls and children crowded the balcony that ringed the upper floor.

“Looks like they knew you were coming.”

“Of course. We sent a bird ahead when we left Irillo, to let the cartwrights know we would be here for maintenance for a couple days. They undoubtedly passed the word. It’s an event when the Madrigal troupes are in town,” Poet replied, putting Tango’s hand in mine. “Follow the young ones upstairs, you’ll have the best view from there.” She spun around and made for the convening Bluebirds before I could protest. Tango grinned up at me then pulled my arm out straight as he followed the rest of the troupe kids to the stairs.

They were right. We could see everything from our vantage, but the show included SO much more than visuals. I will never forget any of the Madrigal performances I saw.

I figured out quickly that Madrigals all have magical abilities according to their roles. The two storytellers began the night with a tale for the children akin to Jack and the Beanstalk.

Then I was back on the balcony with Tango dancing in my lap.

Yeah, it was astounding. I still don’t really have words to describe it. The shows were always mind-blowing.

Some of that night I spent in bloody battles fighting vampire armies (yup, they exist here too), courtesy of Fife, and endured captivity in a lone tower until the shape-shifting farm boy rescued me. The singers caroled a tour of the continent, highlighting the abilities of the Elemental Families. Poet’s lilting voice wove color and sensation into my drone-like flight above a life-size map. Sometimes a Family would be cheered by members in the crowd, others garnered faint gibes or snickers. All I could think was that the virtual reality games I knew were a joke.

No, God no. Movies don’t even remotely come close. Even 3D motion rides can’t compare to the power of Madrigal magic. It’s beyond this world.

Players, like Raga, turned amazing acrobatic routines, juggled far too many and dangerous objects (even people!) effortlessly, and took mime to a new level. Puppeteer Calliope enlivened her hand-crafted minions from afar, no strings necessary. Poet provided the vocals for the Punch-and-Judyesque shorts, her bawdy banter had the ale-stoked crowd’s full attention and eager participation.

The Madrigals created playgrounds for ALL the senses and satisfied everyone, 100% of the time.

By the end of the evening, I was exhausted. I could barely carry a sleeping Tango downstairs to join the troupe. Fife took one look at my face and laughed until he cried, thrusting a tankard of something at me. “Here you go, Fla, that’ll fix you. Did you enjoy the show?”

I nodded, smiling wearily, and sampled the drink. I had read about tavern ale so much in fantasy books that I wasn’t surprised, but it was STRONG. Like the strongest craft beer on steroids. Between the ale and the interactive show, I was gonna pay tomorrow…

Oh, and don’t you know I certainly did! We can leave off here for this episode, stay safe and I’ll see you next time!~

---

The Madrigal shows sound amazing, don’t they? Like virtual reality without the silly glasses. I bet she never looks at ladybugs or garden spiders the same! Would you enjoy a performance like that? Drop a comment below and let me know!

Collata, the Collection of Huphaea newsletter has had it’s first issue! If you want to get in on exclusive anecdotes, out-takes, and graphics from Eleanorah’s journey once or twice a month, hit the subscribe button below. Become a Nightingale!

*All photos with asterisk and the pavilion photo from pxHere or Unsplash for free use.

©2020 Eleanorah Starr and Quill & Orb Press. All Rights Reserved.