The Great Collection of the Elemental Families of Huphaea, anid 1830 #4

Hello all, Elements be! Hard to believe it’s been two weeks since I was here last, I hope the situations in your corner of the world are improving. Or that you are managing it as best you can 🙂. Let’s head back to Huphaea now, continue the adventure and forget about restrictions and pandemics for a bit. Ready?

We left off with the Bluebird troupe making their way toward Cragbend, and Elahna discovering she was in the company of Elves! They wanted to take her to an Orderly, and she wasn’t so sure about that…


leaving Venrood Forest behind…*

I spent the rest of the ride to Cragbend observing my new companions and surroundings. The Bluebird troupe numbered twenty and included four musicians, a bard (Fife), three singers (including Poet), two storytellers, a puppeteer, three players (Raga), and six children. They were not family per se, though some were related. My desire to know begged to ask a thousand questions, but I restrained them to whatever the topic at hand was.

Fife returned with a loose linen shirt in bright kelly green and gray leggings obviously made of a plant fiber, but as durable as doeskin. I was thrilled to discard my hot, waterproof hikers for soft but sturdy leather sandals adorned with colored metal rivets and hoops.

Winter to summer, boots to sandals all in one day?—if you know me, you know I was in heaven!

After the wardrobe change, I found it much easier to unwind. Just feeling like I was part of, instead of an outsider, even if it was only temporary, quelled my anxiety for a time. Raga explained that when we arrived at the Cleft Barrel, the troupe would see to the horses, arrange the wagons, and erect the sleeping pavilions first, before going in.

“I’d be happy to help wherever I can.”

“My thanks. We’ll work you in. Ah, there’s the town, there in the valley. Another erdur or so til we arrive.”

“Did you say ‘erdur’? Do you mean hour?”

“Oww-horr. What is that to you?”

The way he rolled the word ‘hour’ made me laugh and then stop, afraid of being rude, but he was laughing as well.

“It’s a unit of time, a larger unit. It’s made up of sixty smaller units.” Would he even know what sixty was?

“Yes, I think an erdur would be like an oww-horr.”

We continued our discussion about time, and even numbers, which thankfully we did share, but not the names of them. With the help of Tango, who was learning his numbers too, Raga and I established that decca equaled ten, so I could go from there in a Latin-esque fashion. Phew.

*

The caravan left the forest behind during that exchange and we traveled through long, sedate hills of farmsteads.

farmsteads on the way to Cragbend*

Well off to the left, a long arm of the forest curled around and ended in a massive stand of trees. Those trees stood tens of feet above any others; they reminded me of the faux cellphone tower trees along the highways. But I was pretty sure these were not artificial. Smoke trails puffed from the stand in three dark ribbons.

“Is that forest on fire?” I pointed, getting a bit nervous.

“What? Oh, no. That’s Rosewood, the Arborea Seat. See how the trees are so much larger? The Arborea scion has tree magic, and their Seat shows their capabilities. It’s one of my favorite Seats to visit in all of Huphaea. Wait til you see it!” Raga’s enthusiasm was palpable, and Tango started clapping again. Poet joined us on the bench.

“I’ll be glad to get out of this wagon, for sure.” she said. “I agree. Rosewood is spectacular. They say the building was built long ago like any other, but Arboreans have infused the wood and the trees with so much of their vitae over the generations that the two are indistinguishable. They live IN the trees. And it’s always changing. It’s never the same as when we were here last.”

“What do you mean by vitae? I mean, I know a word like that, but what does it mean here?”

My heart started beating a bit faster- portals, elves and now magic tree houses?

vitae streams*

Vitae is the energy that flows through Huphaea, and in the Elemental Families, it gives them their abilities. Well, and us Madrigals, too.”

“And the dragons and the other First Ones.” Raga added.

I know my face fell—he did just say dragons. Both Poet and Raga laughed, and Tango joined in. “Dragons? Like how big? Dragons?” I stammered.

Fife reined back at all the noise, reaching for Tango as he drew alongside. “What’s all the crac about back here? Are they havin’ a go at you, fla?” Tango stood on the saddle swell, encircled in one of Fife’s huge arms, grinning like he owned the world.

“They just said there are dragons here. Is that true?”

“Ha Ha! Of course it is! We don’t generally see them up close, unless you go seek one out, and you’d better have a consarned good reason to do that. But there’re plenty here. You don’t have dragons, I’m guessing?” His amusement was only a bit less restrained than the other two.

“Only in books. They’re a really popular subject. A lot of people think it would be cool to have one.”

“Have one? Oh, fla, you don’t HAVE a dragon. Dragons have Riders, they are about the only ones the Great Ones allow around them. You can seek them for a piece of knowledge, if you’re desperate, or for the Scholar’s Final Telling, but they are best left to themselves. They find us when the Balance needs us.”

“Oh. I see.” I had to let that sink in. Dragons.

Yeah, dragons! You can imagine my mind was pretty much on overload at this point. I just sat back and watched the landscape pass for a while. Cragbend was visible up ahead and I still had a night to get through. What else would I encounter in this day?

I’ll leave off here for now, before we make it into Cragbend. That will be next time. See you then!~


What would you be thinking now if you were in Elahna’s place? Drop a comment below for Eleanorah, let us know!~

If you’d like exclusive snips from Eleanorah’s story, subscribe to Collata, The Collection of Huphaea newsletter. The current issue will have an introduction to the Known Trees of Huphaea. Don’t miss it! Become a Nightingale!~

*Photo credits to pxhere, Unsplash, and Canva.

Copyright © 2020 Eleanorah Starr and Quill & Orb Press, All Rights Reserved

Re-blogging ‘Cause Writers Love Scrivener ❤🖋📝 ———————————-Scrivener Quick Tips: A Roundup of Handy Features — Writer Unboxed

Hope everyone is staying safe and making the best of the challenging situation we are facing. You can find the full article on Writer Unboxed by following the link below, ’cause who can’t use a Scrivener refresher? I’m taking a mini-course this afternoon myself!

Do you use Scrivener when you write? Do you like it, love it, feel vulnerable when you use it? Let me know in the comments below. I’m in the 🧡🧡🧡🧡 category myself 🥰.

Stop by later for the next installment in Eleanorah Starr’s Collection of Huphaea post series, you won’t want to miss it!


Whether your home office has been invaded and you have little time to write, or you suddenly find yourself with nothing but writing time, I’ve pulled together a motley collection of handy features that every Scrivener user should know about. NOTE: When the process differs between versions, I’m using S1, S2, and S3, to denote…

Scrivener Quick Tips: A Roundup of Handy Features — Writer Unboxed

Recommended: 12 Steps To Sensational Prose: The Anatomy of Prose by Sacha Black

“My aim is to equip you with a giant bag of prose tricks.”

“…take my must-dos and must-not-dos with several pinches of salt and a dash of gin.”

Sacha Black, The Anatomy of Prose, pg 2.

** I was given an ARC of this book by the author and I HAPPILY leave this review.**

Writing is a creative activity that can be both uplifting and weighty. So many writers feel the need to ‘have everything perfect’ the first time it is on paper and that pressure is substantial. Craft books exist by the hundreds, but the really valuable ones impart so many tips and reminders that they become references- all dog-eared, flagged, and stained.


The Anatomy of Prose: 12 Steps to Sensational Sentences is EXACTLY this sort of book.

It is FULL of writing tools, from cover to cover, presented in the humor-laden style unique to Sacha Black. The witty, often sarcastic jibes only serve to sear the points into the writer’s mind, and if that isn’t enough, the entire last chapter is a condensed review of the book, perfectly suited to reference on the fly! Brilliant!

I always learn multitudes of new things from Sacha’s books. Her previous two, 13 Steps to Evil: How to Craft Superbad Villains and 10 Steps To Hero: How To Craft A Kickass Protagonist, break down the creation of the two pivotal characters in a novel into tangible steps that work insanely well. The Anatomy of Prose: 12 Steps to Sensational Sentences is no different. Authors will find it well worth having at their elbow as they create. It’s bound to become indispensible!

One of the aspects I appreciate most about the book is that Sacha Black drives home the point about language being an array of tools that are at a writer’s disposal. Metaphors, similes, points of view, and tense may have been annoyances in English class, but now they are devices authors can wield with confidence in the name of writing their best book.

If you don’t believe me, buy the book and try it out yourself. I know your mind will change!

This book is not for the proper-at-heart, however, the author’s fondness for ‘bad words’ and colorful phrases are well documented on her podcast, The Rebel Author Podcast, which is also full of writing tips, tricks, and lively interviews. I find her style engaging, fun, often hilarious, but always real and thought-provoking. She continues to inspire writers and authors on- and off-the-page all over the globe. Rebel Authors everywhere will attest–read the books, take the steps (all of them!) and you will succeed! The Anatomy of Prose: 12 Steps to Sensational Sentences is highly recommended!

Recommended: 12 Steps To Sensational Prose: The Anatomy of Prose by Sacha Black

“My aim is to equip you with a giant bag of prose tricks.”

“…take my must-dos and must-not-dos with several pinches of salt and a dash of gin.”

Sacha Black, The Anatomy of Prose, pg 2.

** I was given an ARC of this book by the author and I HAPPILY leave this review.**

Writing is a creative activity that can be both uplifting and weighty. So many writers feel the need to ‘have everything perfect’ the first time it is on paper and that pressure is substantial. Craft books exist by the hundreds, but the really valuable ones impart so many tips and reminders that they become references- all dog-eared, flagged, and stained.


The Anatomy of Prose: 12 Steps to Sensational Sentences is EXACTLY this sort of book.

It is FULL of writing tools, from cover to cover, presented in the humor-laden style unique to Sacha Black. The witty, often sarcastic jibes only serve to sear the points into the writer’s mind, and if that isn’t enough, the entire last chapter is a condensed review of the book, perfectly suited to reference on the fly! Brilliant!

I always learn multitudes of new things from Sacha’s books. Her previous two, 13 Steps to Evil: How to Craft Superbad Villains and 10 Steps To Hero: How To Craft A Kickass Protagonist, break down the creation of the two pivotal characters in a novel into tangible steps that work insanely well. The Anatomy of Prose: 12 Steps to Sensational Sentences is no different. Authors will find it well worth having at their elbow as they create. It’s bound to become indispensible!

One of the aspects I appreciate most about the book is that Sacha Black drives home the point about language being an array of tools that are at a writer’s disposal. Metaphors, similes, points of view, and tense may have been annoyances in English class, but now they are devices authors can wield with confidence in the name of writing their best book.

If you don’t believe me, buy the book and try it out yourself. I know your mind will change!

This book is not for the proper-at-heart, however, the author’s fondness for ‘bad words’ and colorful phrases are well documented on her podcast, The Rebel Author Podcast, which is also full of writing tips, tricks, and lively interviews. I find her style engaging, fun, often hilarious, but always real and thought-provoking. She continues to inspire writers and authors on- and off-the-page all over the globe. Rebel Authors everywhere will attest–read the books, take the steps (all of them!) and you will succeed! The Anatomy of Prose: 12 Steps to Sensational Sentences is highly recommended!

Infographic: Selling your Business with Ebooks — Nicholas C. Rossis

I re-blogged this post from a fellow freelancer because it got the brainstorming juices flowing about my own new business situation. It is a very well done infographic by BigrockCoupon that I thought others may find useful too. Drop a comment below if you do any of these tips in your marketing scheme, or want to add them to your plan. I am definitely going to consider it!~

Did you know that a great way to promote a business is through an ebook? As regular readers of this blog know, I have been focusing on freelance writing this past couple of years. So, this is a tip that may be of particular interest to non-fiction writers and anyone else who is looking to […]

Infographic: Selling your Business with Ebooks — Nicholas C. Rossis

Books on My Desk

Good Monday morning All! I can honestly say that it is a good Monday morning so far — looking out my office window into bright sunshine on new snow, I am happy to be sitting at my desk enjoying 15°F on this side of the wall. I still have to walk the dogs, but they are happier if it is closer to 20° too.

This past week proved to be productive in the reading department, so I thought I would share a couple of craft books that ensnared me.

Three of the many in my TBR or already read piles…

The first one I read was Verbalize, and if you notice all the mini Post-Its sticking out of it, you can conclude that I found it helpful. IMMENSELY helpful! I had heard interviews with author Damon Suede on several podcasts and everything he said about writing from verbs made complete sense, so I had to check it out. I have been in the process of outlining my fantasy novel for a bit now, but it never felt quite right. I just kept thinking that I wasn’t ready for that step yet, that I was still missing something as related to characters and events. So when I started reading Verbalize, I realized, YEAH I sure am missing something — the reasons why my characters are taking this journey and the actions that motivate them. Don’t get me wrong, I had some idea, but nothing I could sustain for very long when trying to plot. After a reading the book and then completing a few of the exercises, I now feel much better about what actually moves and shakes these individuals.

The other two books in the photo were both highly recommended in Verbalize, so I decided to borrow them from my library system first (yes, I am one of those people who still LOVES to use my library), to see if I should/needed to/wanted to purchase them for permanent reference. I’m over halfway through Wired for Story, and I can say that yes, I do believe I will be purchasing it; it is most worthy of mini Post-its and highlighter treatment. Lisa Cron’s book uses many of the same principles as Suede’s, but approaches it from a ‘how-the-brain-works’ perspective. So far it has been entertaining reading, and very instructive in defining the theme characters take action on, whether they know it or not.

I haven’t actually gotten to Vex, Hex, Smash, Smooch yet, but if it is anywhere in the same vein as the other two, it will also be a solid read. I will post an update as I get into this book, which should be soon (cause it isn’t mine either… yet). Praise to the renewable library loan!

If you hadn’t surmised as such, I am a consummate planner when it comes to writing, and that goes back to the first research paper I wrote in sixth grade — I can still see all my note cards and how they corresponded to my outline, with each piece of information, so that all I had to do was connect them all together with the right words and it was done. That lack of confidence I had every time I sat down to outline was what spurred me to to delve into what I was missing. After a book and a half, I already have a much better handle on the foundation elements of my story. How to work with and refine them to draw the tale, length by length, from the tangled ball of yarn that it is in my imagination. I am so very glad that I read (am reading) these books before lots of words hit the page, but honestly, being a planner, the words wouldn’t have come anyway. Cause now I know there was nowhere for them to come from. HA ha!! <evil villain laugh, with finger in the air> Now the outline begins! ~

What craft books have you read that helped you as a writer? Any that changed your whole outlook or approach? Leave a comment below on writing books that you love to recommend. Til next time, happy writing!~

PS. If you haven’t heard about it yet, there is an extension for Google’s Chrome web browser that checks your local library system for a book whenever you query one online. It’s an EXCELLENT tool, I highly recommend it! Then if you like a book, you can always support the author and buy it for yourself. Win-win!

For Your Interest (and Information)…

image source: AutoCrit.com newsletter, 1.17.20

The Write Life has released a comprehensive list of 100 websites for writers — covering many topics in a writer’s daily life.

I discovered this list this morning in a newsletter and took a few minutes to explore it. It could easily have turned into hours, of course, but I was a good business person and extracted myself from the quicksand of website-hopping before I sank too deep. Just in that brief foray, however, I saw several sites/podcasts that I already subscribe to or visit regularly, and many more that I want to visit. If you are looking for information on writerly topics, this list would be an excellent place to start your search. Happy writing! ~

The Power in a Name


When I pick up a book to read the inner jacket or back cover hook, or if I’m scanning Amazon, Goodreads, Book Sirens, Book Barbarians, any of the myriad places I get my reading material, one of the first things I notice is the name of the protagonist.

What IS in a name?

If I like that particular combination of letters, it ticks a mental box and I am more likely to read on. It doesn’t mean if I don’t like what I see that I won’t investigate further, but I am more likely to continue if I do.

Is that a shallow initial evaluation? Perhaps, but to me it is not. Names have always been a very important and fascinating topic I have explored. It may be some carryover from having a longer, complicated Polish birth surname that was challenging for a four-year-old to learn how to spell. And then add in that my not-unusual first name has an unusual spelling, I have been correcting people from day one. Ugh, <eye rolls>. So maybe then it is all my parents’ fault, but I’m honestly not looking to place blame for something I find fascinating.

My three dogs ( l-r) Dash, Nyssa, and Tristan

So much so, that after I chose Dash for my most recent Aussie boy, and he absorbed the energy of the word 100%, I have kept Zen in the forefront of my mind for the next one… one can hope, right?

Once I was aware enough to make the connection between our mother cows and calves, I made myself responsible for remembering who-went-with-who and their names. Names were chosen for any number of reasons, but never just arbitrarily. There was always a meaning, time period, or reference that inspired the choice. We even had twins born one winter on the day of the Super Bowl that gave us Raider and Redskin. My dogs are no different, it is a part of welcoming a new family member that I take very seriously.

I could fill this room with names…

It should come as no surprise then if I say that one of the reasons I want to write a fantasy novel is that I want to NAME characters, countries, cities, castles, forests, lakes—all of it! And through the naming, each person, creature, and location becomes real to me; in my mind and on paper (or screen) they now have an existence and can be interacted with. One of the most fulfilling blocks of time I spent two weeks ago was naming all 54 of the cities/towns and their House Seats of the family scion that resides there.

Yeah, I said that—54 scion residences and 54 cities or towns. 108 names, and I loved every single minute of it over the three days it took me. Is that excessive? Possibly, but its part of my world building and though I don’t know when I will write any of them in, they are in existence waiting to be deployed. These locations give some structure to my world; physical destinations I can make things happen in, talk about in dialogue, and use as landmarks.

The power in a name, I believe, comes from the interaction of the energy of the word with our own energy. At our most fundamental state, we are beings of energy, and energy flows in waves like sound, or light, or as depicted by the ripples in this pond. A word is a series of sounds (energy waves) made by our vocal cords. The waves interact with those comprising ourselves each time they are spoken (and perhaps even on a really infinitesimal level, thought) enhancing, nullifying, and interfering according to their amplitude, wavelength, and frequency. That energy becomes part of us, at least it makes sense to me that it does.

Take my dog Dash as an example. I chose that word, that verb actually, for his name thinking I would return to training dog agility and compete with him, and for the boy in The Incredibles, one of my favorite movies. I wanted something short, catchy, distinctive in sound that embodied quickness and speed. We never got to the agility due to an injury, but he still spends his days zipping around the yard, under his Akita sister, bouncing off her as they play, careening after squirrels at the very end of his leash, and making himself disappear under the trundle when I go out for an evening. He dashes everywhere, his legs take him distances in negative amounts of time it seems. Every time I call his name a blur of red fur appears, wiggles, smiles, but never stops moving. He is Dash- the energy of the word, the meaning, the embodiment of the sound. Now I’m sure somewhere there is a Dash who lazes around on the couch, but my experience has been the opposite. So I dare you, name something Trek and see if you spend your days eating bon-bons in front of the TV together. My money’s on NO…

Consequently then, when I read the blurb of a book and encounter the character’s name, I am interacting with the energy of the word. If it is an energy that resonates positively, if it rolls off the tongue easily (I actually do read aloud quite a lot), if the squiggles of the letters look good on the page, I will continue my perusal. I am investing my time as a reader, after all, so I want to be able to pay attention and not be distracted by a name I can’t pronounce for however-many-hundred pages. That said, if it is included in the book, you can bet I will use the glossary and/or pronunciation guide. I am a BIG fan of those add-ins (can you tell I read A LOT of fantasy?) Give me some energy to work with from the outset and I’m all in. Names DO have power. ~

Do you experience names in a similar manner? What energy do the names your characters, or some of your favorite characters, contain? How do you come up with names in your works? I’d love to hear your thoughts, drop me a comment below. Until next time, write on! ~