The Great Collection of the Elemental Families of Huphaea, anid 1830 #8

Hello Everyone! I hope you all are well and staying safe and healthy. Summer is in full swing here, since the last post I have finished opening the pool and am back to swimming laps in preparation for soccer starting back up. How is the re-opening progressing where you are? Are you thinking of travelling this summer at all? I’m doing the mind travelling route, taking off for other worlds in my head as I write these CoH chronicles and the subsequent novel(s). I’ve also taken up firm residence in Victorian London, thanks to the historical fiction audiobooks I escape with when I’m weeding and walking the dogs. Sherry Thomas’ The Lady Sherlock Series has been fabulous to listen to, if you are a fan of that genre, I strongly recommend it!

When we last saw Elahna, she had been left at the spectacular Rosewood Manor by the Bluebirds and she knew she would be heading to the capital city of Irillo sometime soon. There had been another performance, and then an awkward encounter with a boy. Elahna was pretty nervous about this ‘Passer’ thing. Let’s see how she is in the morning…~


a sunlight alarm*

Warm sunshine streaming through leafy shutters brought me awake. At some point I had crawled under the covers and nestled into the cloud-like pillows. Branches woven together formed an intricate canopy in russet and olive hues above me. Leaves framed the edges where scrollwork would normally appear, and gauzy light blue material filled the gaps mimicking the sky. I hadn’t taken the opportunity to appreciate my accommodations last night, my unrest had been too immediate and I had even fallen asleep in my clothes. I rubbed crusty sleep from my eyes and scanned the room then, examining the contents.

Every piece of furniture appeared to grow out of the floor, walls, or ceiling, depending on what it was. Bright dyed cushions in blues, soft yellows and russets decorated the chairs. The bed dressings mirrored the color choices in summer weight blanket and linens.

Time. What time was it? I hadn’t had a chance to figure out how many erdurs were in the days here yet.

Come to think of it, I hadn’t even seen the moon in this land yet. Was there one? At that thought, so many other questions flooded my mind that I had to get up and move around to dispel them.

That was when I found the water system in the bathroom—you had asked about water earlier.

The sink emerged from the wall as a curved basin of lighter colored wood.

Two curved hollow branchlets hung over the sink. I touched one and cool water started flowing, and was immediately absorbed when it hit the basin.

not quite right, but on this idea…*

It was mesmerizing to watch. I touched the other, and warm water flowed. These trees would certainly consume huge amounts of water to support all of these leaves and structures; a built-in recycling system, created out of the tree itself, made perfect sense. The lighter-colored wood of the basin must be the tree’s xylem, its water conductive tissue. Ingenious.

On the opposite wall, a shower area was designated. The shower head faced down from the ceiling in the center of a lattice work not unlike the bed canopy. The walls were constructed of layers of leaves, which funneled the water to the same light-colored xylem floor. I was grateful for the warm water after fighting battles for two nights during the Bluebird’s performances.

When I emerged, wrapped in a thick fluffy robe that resembled cotton (though not any cotton known here), I found a new set of clothes on the chair aside the purple door. A folded note sat atop them. My new name on the front and the message inside were written in fine script:

~Please follow the red circles from the main foyer to my garden to break your fast. I look forward to meeting you.~

– Daphne Arborea

Hmmm, was this a summons? I didn’t enjoy the idea of being summoned, but I was a guest in her house. Maybe I could ask more questions about this house. Maybe she would explain what a Passer is and how they are viewed.

Honestly, at that point, I wasn’t sure what ‘Passer’ meant. I assumed it meant something about how I had come here, but then that also meant there had to be more people who had come here from Earth. Had that gone badly in the past and now Passers were feared? I didn’t get that feeling among the Bluebirds, but once we were here in Cragbend, the sentiment was different. And certainly that boy last night had been scared.

Speaking of that boy, along with Daphne’s note, there was also a thrice-folded piece of paper, obviously torn from something else, with a note written in a childish hand on the inside:

Please don’t take my Mamam with you when you go back to your home. I would miss her a lot, I love her so much. Please just go back home yourself and leave her with me.
Thank you,
Lignan Arborea

I knew it was the innocent plea of a scared child, but it was the stories that fueled the fear behind it that made me uneasy. I decided to take it to Daphne and ask what was going on.

The new garments were similar to my borrowed ones, but with dark green leaf patterns embroidered into the light green linen. Being a tree-oriented family, I wasn’t surprised. My stomach rumbled and I proceeded out the door to meet Daphne Arborea.

Now that I was looking for them, I discovered a entire crayon box of colored shapes and circles on the floor, all going in separate directions, like breadcrumb trails of cereal winding down the halls and up the stairs. Upon closer inspection, the colorful bits were actually gemstones, gold, and crystals set into the wood floor as part of the nature scenes beneath my feet.

gemstone markers with gold nuggets in Rosewood’s floors

In the vast main foyer, where the original house remained, the floors were of the same patterns, the only difference being the noise my sandals made as I walked.

The effect the scenes created was like walking on an iced-over stream with gems set in the streambed, or a rocky forest path with colored trail markers lining the edge. It was so realistic I kept waiting for wet feet, or pebbles between my toes. I remembered what Raga said about Rosewood Manor always changing and wondered if the floor scenes did too.

I should stop here, so that next time we will meet with Daphne Arborea, matriarch of House Arborea. Stay tuned and don’t miss episode #9!


So, a floor inlaid with gemstones and gold nuggets as markers? What kind of place is this, right? I’ll let you in on something, gemstones are pretty commonplace in Huphaea. There are four Houses concerned with obtaining and working with them, so you can imagine what they produce. We will meet them later on, I promise!

How about the Manor itself, and what do you think Daphne Arborea will be like? Let me know in the comments below, don’t worry, you’ll find out soon!

If you want an extra peek into Huphaea and Elahna’s journey, subscribe to Collata, the Collection of Huphaea newsletter. Once, maybe twice a month, Nightingales get an exclusive snippet from my memory of my time away. Click the button below to join the Nightingales, I’m looking forward to welcoming you!

*All images not my own are from pxhere or unsplash as free for use in the public domain.

©2020 Eleanorah Starr and Quill & Orb Press, All Rights Reserved.

Re-Blogged: Fiction Writing Contests Worth Your Time in Summer 2020 — Writer Unboxed

Writing contests are a topic I often think about and something I want to do in the near future. It appeals to my competitiveness and my creativity. Some of these deadlines are past or coming up soon, but there are many later in the summer. Follow the link to see if any pique your interest! Happy writing!~

This contest submissions season covers deadlines from June 1, 2020 through August 31, 2020. Summer is a slower time for any literary journal or contest associated with a university, but there are still opportunities between beach waves and new drafts. 2,540 more words

Fiction Writing Contests Worth Your Time in Summer 2020 — Writer Unboxed

The Great Collection of the Elemental Families of Huphaea, anid 1830 #5

Hello everyone! All the wishes to your health and sanity as we continue to cope with pandemic issues—stay strong! Can you believe we are about to enter June? We have had a taste of summer where I live, the sticky humid part of summer, after a looooonnnnng, very cool spring. It’s been quite a shock to the system, like Elahna going from insulated boots to summer sandals in one day. A hint of times to come, for sure.

So, when we last spoke, Elahna was just digesting the fact that there are dragons in this land. Raga, Poet, and Fife had a bit of a chuckle at her expense and she learned you do not have a dragon, ever. Dragons impart knowledge, but you should have a consarned good reason for speaking with one. Let’s continue on to Cragbend with the troupe, shall we?


closer to Cragbend…*

The homesteads on the nearer approach to Cragbend got a little smaller, but no less affluent.

*

Many had painted or carved wooden signs hanging by the road with various items depicted- chairs, bowls, cabinets, casks, wagons.

*

Vegetables grew in meticulous gardens and conical hay stacks populated shorn fields.

*

My nervousness returned as we entered the rustic town, but was forgotten in the activity of making camp in the field beside the Cleft Barrel. I was assigned to the horse lines with a young musician named Tenor. He pounded stakes for pickets while I secured the horses and doled out the feed.

By the time we finished, a fire roared in a central, stacked stone pit. Children’s laughter gamboled through the air as they peeled vegetables for stew and hurled the scraps at each other or the chickens.

cooking in the Bluebirds’ camp…*

Numerous brightly colored tents and pavilions now dotted the field.

Troupe members scurried around like ants, each with their own tasks to attend to in the familiar dance of pitching camp. The hulking shapes of the wagons formed an arc on the right side, nearer the road, like protective sphinxes crouched on their haunches. Tenor explained how, in towns where there wasn’t a Seat or large pub to perform in, they could fasten the wagons together by a series of collapsible panels to form a large stage.

Several times I caught myself studying the exquisite workmanship of the conveyances. Each wagon had a domed, retractable bonnet dyed mostly in shades of blue with other colors dancing through the swirls of ocean and sky. Ornate carvings of bluebirds perching on branches, clinging to rushes, and singing streams of notes adorned the sidewalls and rear panels. The skillful use of fire had fashioned the bas relief murals, which were painted to life in greens, browns, gold, and myriad blues. The heavy wooden wheels and fluted running gear paired seamlessly. Thick metal pins secured the junctures, but also meant the wheels could be taken off with ease for repairs or stage construction. They were rolling works of marvelous, versatile art.

“Not only are they beautiful, but they are multi-functional? And I’ve never seen so many shades of blue.”

Tenor’s shy smile acknowledged the compliment before he spoke.

“They are all made here. In the morning, you’ll see a few men wandering around checking them over. They get maintained every time we are in Cragbend. Many of the other troupes get their coaches here too.” Tenor’s voice was rich and easy to listen to, I wondered why he played the lap harp instead of singing.

“How many other troupes are there?”

“Five others, each bearing a different color. Hence the predominance of blue with us, like Fife’s donjar torc.”

“Where is your home town? How long have you been on tour?”

“We are always home.” He waved at the wagons. “Our life is on tour. We may stay in one place for a bit if there is a festival, or bad weather, but only until a weather-worker restores the skies.”

I let out a deep breath, rolling my eyes to myself. Drinking was certainly in order tonight.

Of course, being from New England, the idea of a weather-worker was just too good to be true. People could control the weather? I’d have to see that to believe it, for sure. I had now lost count of all the crazy things that were commonplace here.

like the Cleft Barrel*

The Cleft Barrel was a large, two-story pub at the forkroad in the center of Cragbend. The first floor was large and comfortable for eating and social activity; the second floor held lodgings, judging by the many doors I glimpsed. This night, the center of the main floor had been cleared for the Bluebirds’ performance. The townsfolk filled tables and benches against the walls and children crowded the balcony that ringed the upper floor.

“Looks like they knew you were coming.”

“Of course. We sent a bird ahead when we left Irillo, to let the cartwrights know we would be here for maintenance for a couple days. They undoubtedly passed the word. It’s an event when the Madrigal troupes are in town,” Poet replied, putting Tango’s hand in mine. “Follow the young ones upstairs, you’ll have the best view from there.” She spun around and made for the convening Bluebirds before I could protest. Tango grinned up at me then pulled my arm out straight as he followed the rest of the troupe kids to the stairs.

They were right. We could see everything from our vantage, but the show included SO much more than visuals. I will never forget any of the Madrigal performances I saw.

I figured out quickly that Madrigals all have magical abilities according to their roles. The two storytellers began the night with a tale for the children akin to Jack and the Beanstalk.

ladybugs!*

Before I knew what was happening, I was high in the air, clinging onto a giant vine. A breeze blew through my hair with the scent of honeysuckle. The giant ladybugs pursuing me were far too close for comfort, I could see their beady red eyes and hear their scuttling legs. I turned around to continue climbing when an enormous black and yellow spider bearing the hero of the story on its back stepped over me. The prickly hairs on its legs brushed my back. The crowd cheered and the children around me whooped and yelled as the ladybugs were vanquished.

*

Then I was back on the balcony with Tango dancing in my lap.

Yeah, it was astounding. I still don’t really have words to describe it. The shows were always mind-blowing.

Some of that night I spent in bloody battles fighting vampire armies (yup, they exist here too), courtesy of Fife, and endured captivity in a lone tower until the shape-shifting farm boy rescued me. The singers caroled a tour of the continent, highlighting the abilities of the Elemental Families. Poet’s lilting voice wove color and sensation into my drone-like flight above a life-size map. Sometimes a Family would be cheered by members in the crowd, others garnered faint gibes or snickers. All I could think was that the virtual reality games I knew were a joke.

No, God no. Movies don’t even remotely come close. Even 3D motion rides can’t compare to the power of Madrigal magic. It’s beyond this world.

Players, like Raga, turned amazing acrobatic routines, juggled far too many and dangerous objects (even people!) effortlessly, and took mime to a new level. Puppeteer Calliope enlivened her hand-crafted minions from afar, no strings necessary. Poet provided the vocals for the Punch-and-Judyesque shorts, her bawdy banter had the ale-stoked crowd’s full attention and eager participation.

The Madrigals created playgrounds for ALL the senses and satisfied everyone, 100% of the time.

By the end of the evening, I was exhausted. I could barely carry a sleeping Tango downstairs to join the troupe. Fife took one look at my face and laughed until he cried, thrusting a tankard of something at me. “Here you go, Fla, that’ll fix you. Did you enjoy the show?”

I nodded, smiling wearily, and sampled the drink. I had read about tavern ale so much in fantasy books that I wasn’t surprised, but it was STRONG. Like the strongest craft beer on steroids. Between the ale and the interactive show, I was gonna pay tomorrow…

books don’t do tavern ale justice…*

Oh, and don’t you know I certainly did! We can leave off here for this episode, stay safe and I’ll see you next time!~


The Madrigal shows sound amazing, don’t they? Like virtual reality without the silly glasses. I bet she never looks at ladybugs or garden spiders the same! Would you enjoy a performance like that? Drop a comment below and let me know!

Collata, the Collection of Huphaea newsletter has had it’s first issue! If you want to get in on exclusive anecdotes, out-takes, and graphics from Eleanorah’s journey once or twice a month, hit the subscribe button below. Become a Nightingale!

*All photos with asterisk and the pavilion photo from pxHere or Unsplash for free use.

©2020 Eleanorah Starr and Quill & Orb Press. All Rights Reserved.

The Great Collection of the Elemental Families of Huphaea, anid 1830 #4

Hello all, Elements be! Hard to believe it’s been two weeks since I was here last, I hope the situations in your corner of the world are improving. Or that you are managing it as best you can 🙂. Let’s head back to Huphaea now, continue the adventure and forget about restrictions and pandemics for a bit. Ready?

We left off with the Bluebird troupe making their way toward Cragbend, and Elahna discovering she was in the company of Elves! They wanted to take her to an Orderly, and she wasn’t so sure about that…


leaving Venrood Forest behind…*

I spent the rest of the ride to Cragbend observing my new companions and surroundings. The Bluebird troupe numbered twenty and included four musicians, a bard (Fife), three singers (including Poet), two storytellers, a puppeteer, three players (Raga), and six children. They were not family per se, though some were related. My desire to know begged to ask a thousand questions, but I restrained them to whatever the topic at hand was.

Fife returned with a loose linen shirt in bright kelly green and gray leggings obviously made of a plant fiber, but as durable as doeskin. I was thrilled to discard my hot, waterproof hikers for soft but sturdy leather sandals adorned with colored metal rivets and hoops.

Winter to summer, boots to sandals all in one day?—if you know me, you know I was in heaven!

After the wardrobe change, I found it much easier to unwind. Just feeling like I was part of, instead of an outsider, even if it was only temporary, quelled my anxiety for a time. Raga explained that when we arrived at the Cleft Barrel, the troupe would see to the horses, arrange the wagons, and erect the sleeping pavilions first, before going in.

“I’d be happy to help wherever I can.”

“My thanks. We’ll work you in. Ah, there’s the town, there in the valley. Another erdur or so til we arrive.”

“Did you say ‘erdur’? Do you mean hour?”

“Oww-horr. What is that to you?”

The way he rolled the word ‘hour’ made me laugh and then stop, afraid of being rude, but he was laughing as well.

“It’s a unit of time, a larger unit. It’s made up of sixty smaller units.” Would he even know what sixty was?

“Yes, I think an erdur would be like an oww-horr.”

We continued our discussion about time, and even numbers, which thankfully we did share, but not the names of them. With the help of Tango, who was learning his numbers too, Raga and I established that decca equaled ten, so I could go from there in a Latin-esque fashion. Phew.

*

The caravan left the forest behind during that exchange and we traveled through long, sedate hills of farmsteads.

farmsteads on the way to Cragbend*

Well off to the left, a long arm of the forest curled around and ended in a massive stand of trees. Those trees stood tens of feet above any others; they reminded me of the faux cellphone tower trees along the highways. But I was pretty sure these were not artificial. Smoke trails puffed from the stand in three dark ribbons.

“Is that forest on fire?” I pointed, getting a bit nervous.

“What? Oh, no. That’s Rosewood, the Arborea Seat. See how the trees are so much larger? The Arborea scion has tree magic, and their Seat shows their capabilities. It’s one of my favorite Seats to visit in all of Huphaea. Wait til you see it!” Raga’s enthusiasm was palpable, and Tango started clapping again. Poet joined us on the bench.

“I’ll be glad to get out of this wagon, for sure.” she said. “I agree. Rosewood is spectacular. They say the building was built long ago like any other, but Arboreans have infused the wood and the trees with so much of their vitae over the generations that the two are indistinguishable. They live IN the trees. And it’s always changing. It’s never the same as when we were here last.”

“What do you mean by vitae? I mean, I know a word like that, but what does it mean here?”

My heart started beating a bit faster- portals, elves and now magic tree houses?

vitae streams*

Vitae is the energy that flows through Huphaea, and in the Elemental Families, it gives them their abilities. Well, and us Madrigals, too.”

“And the dragons and the other First Ones.” Raga added.

I know my face fell—he did just say dragons. Both Poet and Raga laughed, and Tango joined in. “Dragons? Like how big? Dragons?” I stammered.

Fife reined back at all the noise, reaching for Tango as he drew alongside. “What’s all the crac about back here? Are they havin’ a go at you, fla?” Tango stood on the saddle swell, encircled in one of Fife’s huge arms, grinning like he owned the world.

“They just said there are dragons here. Is that true?”

“Ha Ha! Of course it is! We don’t generally see them up close, unless you go seek one out, and you’d better have a consarned good reason to do that. But there’re plenty here. You don’t have dragons, I’m guessing?” His amusement was only a bit less restrained than the other two.

“Only in books. They’re a really popular subject. A lot of people think it would be cool to have one.”

“Have one? Oh, fla, you don’t HAVE a dragon. Dragons have Riders, they are about the only ones the Great Ones allow around them. You can seek them for a piece of knowledge, if you’re desperate, or for the Scholar’s Final Telling, but they are best left to themselves. They find us when the Balance needs us.”

“Oh. I see.” I had to let that sink in. Dragons.

Yeah, dragons! You can imagine my mind was pretty much on overload at this point. I just sat back and watched the landscape pass for a while. Cragbend was visible up ahead and I still had a night to get through. What else would I encounter in this day?

I’ll leave off here for now, before we make it into Cragbend. That will be next time. See you then!~


What would you be thinking now if you were in Elahna’s place? Drop a comment below for Eleanorah, let us know!~

If you’d like exclusive snips from Eleanorah’s story, subscribe to Collata, The Collection of Huphaea newsletter. The current issue will have an introduction to the Known Trees of Huphaea. Don’t miss it! Become a Nightingale!~

*Photo credits to pxhere, Unsplash, and Canva.

Copyright © 2020 Eleanorah Starr and Quill & Orb Press, All Rights Reserved

From a Fellow Rebel Author– ————— How To: Beta Readers — Val Neil

Compiled from experience, this is a great article on everything to do with beta readers. Follow the link to Val’s page and the entire piece. Enjoy!~

What are they? People who read your polished manuscript (do not send them your shitty first draft) and give you feedback. Ideally they should be readers, NOT other writers, though that can be harder to come by. How many do you need? Depends on where you are in your writer journey. If you’re a newbie, […]

How To: Beta Readers — Val Neil

Re-blogging ‘Cause Writers Love Scrivener ❤🖋📝 ———————————-Scrivener Quick Tips: A Roundup of Handy Features — Writer Unboxed

Hope everyone is staying safe and making the best of the challenging situation we are facing. You can find the full article on Writer Unboxed by following the link below, ’cause who can’t use a Scrivener refresher? I’m taking a mini-course this afternoon myself!

Do you use Scrivener when you write? Do you like it, love it, feel vulnerable when you use it? Let me know in the comments below. I’m in the 🧡🧡🧡🧡 category myself 🥰.

Stop by later for the next installment in Eleanorah Starr’s Collection of Huphaea post series, you won’t want to miss it!


Whether your home office has been invaded and you have little time to write, or you suddenly find yourself with nothing but writing time, I’ve pulled together a motley collection of handy features that every Scrivener user should know about. NOTE: When the process differs between versions, I’m using S1, S2, and S3, to denote…

Scrivener Quick Tips: A Roundup of Handy Features — Writer Unboxed

Recommended: 12 Steps To Sensational Prose: The Anatomy of Prose by Sacha Black

“My aim is to equip you with a giant bag of prose tricks.”

“…take my must-dos and must-not-dos with several pinches of salt and a dash of gin.”

Sacha Black, The Anatomy of Prose, pg 2.

** I was given an ARC of this book by the author and I HAPPILY leave this review.**

Writing is a creative activity that can be both uplifting and weighty. So many writers feel the need to ‘have everything perfect’ the first time it is on paper and that pressure is substantial. Craft books exist by the hundreds, but the really valuable ones impart so many tips and reminders that they become references- all dog-eared, flagged, and stained.


The Anatomy of Prose: 12 Steps to Sensational Sentences is EXACTLY this sort of book.

It is FULL of writing tools, from cover to cover, presented in the humor-laden style unique to Sacha Black. The witty, often sarcastic jibes only serve to sear the points into the writer’s mind, and if that isn’t enough, the entire last chapter is a condensed review of the book, perfectly suited to reference on the fly! Brilliant!

I always learn multitudes of new things from Sacha’s books. Her previous two, 13 Steps to Evil: How to Craft Superbad Villains and 10 Steps To Hero: How To Craft A Kickass Protagonist, break down the creation of the two pivotal characters in a novel into tangible steps that work insanely well. The Anatomy of Prose: 12 Steps to Sensational Sentences is no different. Authors will find it well worth having at their elbow as they create. It’s bound to become indispensible!

One of the aspects I appreciate most about the book is that Sacha Black drives home the point about language being an array of tools that are at a writer’s disposal. Metaphors, similes, points of view, and tense may have been annoyances in English class, but now they are devices authors can wield with confidence in the name of writing their best book.

If you don’t believe me, buy the book and try it out yourself. I know your mind will change!

This book is not for the proper-at-heart, however, the author’s fondness for ‘bad words’ and colorful phrases are well documented on her podcast, The Rebel Author Podcast, which is also full of writing tips, tricks, and lively interviews. I find her style engaging, fun, often hilarious, but always real and thought-provoking. She continues to inspire writers and authors on- and off-the-page all over the globe. Rebel Authors everywhere will attest–read the books, take the steps (all of them!) and you will succeed! The Anatomy of Prose: 12 Steps to Sensational Sentences is highly recommended!

Recommended: 12 Steps To Sensational Prose: The Anatomy of Prose by Sacha Black

“My aim is to equip you with a giant bag of prose tricks.”

“…take my must-dos and must-not-dos with several pinches of salt and a dash of gin.”

Sacha Black, The Anatomy of Prose, pg 2.

** I was given an ARC of this book by the author and I HAPPILY leave this review.**

Writing is a creative activity that can be both uplifting and weighty. So many writers feel the need to ‘have everything perfect’ the first time it is on paper and that pressure is substantial. Craft books exist by the hundreds, but the really valuable ones impart so many tips and reminders that they become references- all dog-eared, flagged, and stained.


The Anatomy of Prose: 12 Steps to Sensational Sentences is EXACTLY this sort of book.

It is FULL of writing tools, from cover to cover, presented in the humor-laden style unique to Sacha Black. The witty, often sarcastic jibes only serve to sear the points into the writer’s mind, and if that isn’t enough, the entire last chapter is a condensed review of the book, perfectly suited to reference on the fly! Brilliant!

I always learn multitudes of new things from Sacha’s books. Her previous two, 13 Steps to Evil: How to Craft Superbad Villains and 10 Steps To Hero: How To Craft A Kickass Protagonist, break down the creation of the two pivotal characters in a novel into tangible steps that work insanely well. The Anatomy of Prose: 12 Steps to Sensational Sentences is no different. Authors will find it well worth having at their elbow as they create. It’s bound to become indispensible!

One of the aspects I appreciate most about the book is that Sacha Black drives home the point about language being an array of tools that are at a writer’s disposal. Metaphors, similes, points of view, and tense may have been annoyances in English class, but now they are devices authors can wield with confidence in the name of writing their best book.

If you don’t believe me, buy the book and try it out yourself. I know your mind will change!

This book is not for the proper-at-heart, however, the author’s fondness for ‘bad words’ and colorful phrases are well documented on her podcast, The Rebel Author Podcast, which is also full of writing tips, tricks, and lively interviews. I find her style engaging, fun, often hilarious, but always real and thought-provoking. She continues to inspire writers and authors on- and off-the-page all over the globe. Rebel Authors everywhere will attest–read the books, take the steps (all of them!) and you will succeed! The Anatomy of Prose: 12 Steps to Sensational Sentences is highly recommended!

5 Ways Dramatic Techniques Can Transform Your Fiction Writing — Alliance of Independent Authors: Self-Publishing Advice Center

Image from Canva.com

I recently listened to an episode on The Rebel Author podcast with Scottish playwright and author Jules Horne, the author of this particular blog post. I find her ideas and insights into including dramatic techniques in your writing extremely helpful and thought you might too. Follow this link to read her whole article.

Source: 5 Ways Dramatic Techniques Can Transform Your Fiction Writing — Alliance of Independent Authors: Self-Publishing Advice Center

Audio is also a topic that captures my attention of late, and Jules has another great interview on the ALLi site discussing how to write with audio in mind. I am trying to put these elements into practice with Eleanorah Starr’s storytelling, as I find that I hear this particular story when I am writing it. She makes many great points of how writing in this manner can strengthen your prose. You can find that link here, along with a similar interview on The Rebel Author podcast:

Source: Writing for Audio – 6 Top Tips from a Radio Professional — Alliance of Independent Authors: Self-Publishing Advice Center

The Rebel Author podcast https://www.podbean.com/ew/pb-sshfy-d792aa

Enjoy! And keep writing!~

Let me know if you liked these interviews with Jules Horne, and if you found any tips in her words you plan to use yourself in the comments below. Write on!~

Infographic: Selling your Business with Ebooks — Nicholas C. Rossis

I re-blogged this post from a fellow freelancer because it got the brainstorming juices flowing about my own new business situation. It is a very well done infographic by BigrockCoupon that I thought others may find useful too. Drop a comment below if you do any of these tips in your marketing scheme, or want to add them to your plan. I am definitely going to consider it!~

Did you know that a great way to promote a business is through an ebook? As regular readers of this blog know, I have been focusing on freelance writing this past couple of years. So, this is a tip that may be of particular interest to non-fiction writers and anyone else who is looking to […]

Infographic: Selling your Business with Ebooks — Nicholas C. Rossis